“It was prophesied that Jesus would be born in Bethlehem (Micah 5:2); and Jewish tradition held that His birth would be announced from Migdal Eder - a watchtower located near Bethlehem on the road to Jerusalem. A passage in the Mishnah says that the flocks at Migdal Eder were destined for Temple sacrifice. We may infer that the angel did come to Migdal Eder and the shepherds who heard the announcement and followed the star would be the perfect choice to spread the word of Christ’s birth. They would shortly lead their flocks to the temple to be sacrificed and while there would tell all of the miraculous birth." - Edersheim, Jesus the Messiah, p. 131; Sketches of Jewish Life, p. 76-77

I wanted to capture the moment when a little shepherd boy at the watchtower was awaken by a Heavenly light and heard those words so long foretold, "Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord." - Luke 2:10-11

In the story of the Good Shepherd, Jesus compares a shepherd and a hireling. He explains that a hireling is a person merely hired to watch the sheep. He cares little for the sheep and subsequently the sheep do not recognize his voice. When danger comes, the hireling cares more for his own safety and quickly flees leaving the sheep to fend for themselves. By contrast, the shepherd loves the sheep and knows each one individually. They, in turn, know his voice and follow him when he calls. When danger comes, the shepherd stays to protect the sheep, even laying down his own life if necessary to save them.

This painting was inspired by a story of one Christ-like shepherd whose love and devotion to the sheep saved a young boy. In his own words:

“I became involved in surfing competitions on Sunday mornings and stopped going to my Church meetings. One Sunday morning Brother Marques knocked on my door and asked my mother if he could talk to me. When she told him I was sleeping, he asked permission to wake me. He said to me, ‘Fernando, you are late for church!’ Not listening to my excuses, he took me to church. The next Sunday the same thing happened, so on the third Sunday I decided to leave early to avoid him. As I opened the gate I found him sitting on his car, reading the scriptures. When he saw me he said, ‘Good! You are up early. Today we will go and find another young man!’ After eight Sundays I could not get rid of him, so I decided to sleep at a friend’s house. I was at the beach the next morning when I saw a man dressed in a suit and tie walking towards me. When I saw that it was Brother Marques, I ran into the water. All of a sudden, I felt someone’s hand on my shoulder. It was Brother Marques, in water up to his chest! He took me by the hand and said, ‘You are late! Let’s go.’ When I argued that I didn’t have any clothes to wear, he replied, ‘They are in the car.’ That day as we walked out of the ocean, I was touched by Brother Marques’s sincere love and worry for me. He truly understood the Savior’s words: ‘I will seek that which was lost.’”

Water is an elemental force in much of artist Steve Hanks’ work whether it be ocean-based landscapes, or figures in lakes, rivers, and yes, even bathwater. We are, after all, largely made from water. Its movement and fluidity reflect and inspire our lives. Hanks paintings of children offer beautiful surface stories layered with potent meaning. He stays connected to both the loneliness and the magic of childhood. Time of Wonder conveys the unknown possibilities in the future of a single young life as he faces the seemingly infinite ocean. “What I like most about this painting is the way the overcast, misty sky affects the light and colors, like the clarity of the waves breaking behind the boy and the fog sitting on the mountains in the background,” says the artist. “It’s a very solitary, magical place and this youngster is not standing still in this vast landscape. He’s moving forward.”

In this parable, a man sows (scatters) seeds in a field. Some of the seeds fall by the wayside and are eaten by birds. Some fall among thorns and are choked out. Some fall on stony ground and start to grow, but when the heat of the sun beats down they do not have deep enough roots to survive and are lost. Still other seeds fall on good ground where they bring forth fruit.

The Lord teaches us that the seeds represent the Word of God and the ground represents the hearts of those who hear the word. Some have hearts like the wayside and receive the word, but then let Satan (birds) come and snatch it away. Others have thorny hearts and let their own pleasures and cares choke out the word of God. Still others have stony hearts and though they give the word a chance, when the heat of persecution shines upon them they give up and the word is lost. Finally, some have fertile hearts and make room for the word of God. These bring forth fruit through their actions and become what the sower wanted them to be.

I placed on the ground the shadow of a heart to remind us that we choose which kind of heart we have. We can be like fertile ground and prepare a place for the word of God to grow within us. I also put the symbol of the fish in the sown seeds to remind us that once we find the word, we too must go forth as sowers and spread the good news of Christ.