Sandy Freckleton Gagon

A preeminent realist painter, Sandy – as do all great masters – carries on the traditions and canons of classical art ideology practiced from the Renaissance down through 19th century. Her paintings and drawings demonstrate her virtuosity, a manifestation of unparalleled technical excellence, which result in great works of lasting beauty. Sandy’s unsurpassed knowledge of anatomy, color theory and design, facilitate her portrayal of the human condition – in all its complexities – with breathtaking elegance and mastery. Sandy feels privileged to paint her testimony through her love of the scriptures, and passion for religious figurative painting.

Sandy’s husband is writer, Dave Gagon. They have three children.

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Daughter Of Jarius

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Divine Call

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Martha's Witness Of Christ

A master teacher and dear friend of mine, Brian Hardy, taught a gospel doctrine class one day concerning the powerful testimony of Martha. It resonated with me in a very profound way.

Women are customarily required to play many roles. Martha was no exception. She is most often associated with the account in Luke 10: 20-22:
Martha, Martha, thou are careful and troubled about many things.

However, the Martha I wanted to paint is the one that bore one of the most remarkable recorded testimonies of Jesus Christ:
Jesus said unto her, I am the resurrection, and the life; he that believeth in me, though he were dead, yet shall he live:

And whosoever liveth and believeth in me shall never die. Believest thou this?

She saith unto him, Yea, Lord: I believe that thou art the Christ, the Son of God, which should come into the world.


The moment those words pierced my heart I knew I wanted to paint this scriptural account.

Scriptural reference: John 11:25-27
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Sacrifice Brings Forth Blessings

The Lord often teaches using extreme circumstances to illustrate a principle. The story of the widow of Zarephath is an example of life-threatening poverty used to teach the doctrine that mercy cannot rob sacrifice any more than it can rob justice. In fact, the truer measure of sacrifice isn’t so much what one gives to sacrifice as what one sacrifices to give (see Mark 12:43). Faith isn’t tested so much when the cupboard is full as when it is bare. In these defining moments, the crisis doesn’t create one’s character—it reveals it. The crisis is the test (“Tithing-a Commandment Even for the Destitute” Lynn G. Robbins, April 2005).

Much of the inspiration for my paintings comes through experiences I had when drinking the biter cups of life. This is especially true of this painting. It is during these defining moments of adversity – famines, if you will – that I have come to understand “sacrifice brings forth blessings.” It is my desire to visually convey that true faith always manifests itself in faithfulness. The message of the Widow of Zarephath has tremendous relevancy today; it is through our choices we ultimately come to know God. (Scriptural reference: 1 Kings 17: 9-15)

Painting by Sandy Freckleton Gagon
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She Remembered She Could Fly

Inspiration for my paintings often comes when I’m thinking back on the trials our family has endured. It’s true that everyone has adversity; however, it’s sometimes overwhelming when it's personal and has no end in sight.

One stormy day, my husband and I were out driving. By chance, I saw two little girls running with their jackets flipped up behind them. They were pretending they could fly. The thought then occurred to me that we sometimes refuse to embrace the storms of life. Instead, we allow the squalls and tempests to beat us down.

I painted She Remembered She Could Fly as a reminder to us all that we can rise above the circumstances of our lives and find joy. We all can fly.

Painting by: Sandy Freckleton Gagon
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